Romero’s long-lost industrial film communicates the horror of living in a body and living in America at least as well as many of his lauded features
Full StoryYear: 2021
RIFF 2021 Q&A: Emilio Vavarella’s ‘Genesis’ (2021)
Vavarella discusses the interplay of biological and computational life, weaving, and how 'Genesis' fits within a larger art installation.
Full StoryRIIFF 2021 Q&A: KWA on ‘Panta Rhei (everything is in flux)’ (2021) and Spectrum Vision 3D
KWA discusses the "Spectrum Vision" 3D style he developed for 'Panta Rhei,' showing at the Rhode Island International Film Festival.
Full StoryRIIFF 2021 Q&A: Emmanuel Fraisse’s ‘ÆON’ (2021)
To preview RIIFF 2021, Fraisse discusses his short film 'ÆON,' its unique "almost static shots, and the prophecy of Atlantis.
Full StoryRIIFF 2021 Q&A: Catherine Slilaty’s ‘Moundform’ (2020)
Experimental animator Catherine Slilaty talks about creating her animated film 'Moundform,' showing this week at RIFF 2021.
Full StoryRIIFF 2021 Q&A: Sandrine Stoïanov and Jean-Charles Finck’s ‘The World Within’ (2020)
To preview the 2021 ' Rhode Island International Film Festival, Sandrine Stoïanov and Jean-Charles Finck discuss their new animated film, 'The World Within.'
Full StoryProgram Director Shawn Quirk Previews the 2021 Flickers’ Rhode Island International Film Festival
Program Director Shawn Quirk tells us what to expect as the 2021 Rhode Island International Film Festival returns after a virtual-only year.
Full StoryArthouse Drive-In: ‘Son of the White Mare’ (1981)
Arthouse Drive-In covers Hungarian animator Marcell Jankovics' masterwork, 1981's 'Son of the White Mare,' and its new 4K transfer.
Full StoryKeeping The Grain: A Conversation with David Marriott of Arbelos Films
Robert Delany's interview with Arbelos Films' co-founder David Marriott led to further talk of the company's catalog of restored films.
Full StoryMissing the Forest for the Trees: Kelly Reichardt’s Misunderstood ‘Night Moves’ (2013)
Too conventional for some, too elliptical for others, Reichardt’s 'Night Moves' is often dismissed as a lesser entry in her filmography.
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