We spoke with Hopinka about portraying the Pacific Northwest on the screen and using cinema to preserve and revitalize Native American culture.
Full StoryYear: 2022
All Tomorrow’s Accidents: An Interview With Eyelids
After a canceled tour and pandemic break, Portland's Eyelids are back with a new single, an album on the way, and Victor Krummenacher on bass.
Full StorySplit Picks: Clint Eastwood’s ‘Bronco Billy’ Vs. ‘Honkytonk Man’
Eastwood enthusiasts Bennett Glace and Michael Glover Smith discuss two of the least-seen of Clint Eastwood’s many directorial triumphs.
Full StoryThe Third Revelation: Paul Thomas Anderson’s ‘The Master’ (2012)
'The Master' is not a product of rage; it’s a portrait of human frailty, majestic and raw in its search for meaning in the postwar era.
Full StoryThe Grifter’s Lament: Guillermo del Toro’s ‘Nightmare Alley’ (2021)
Del Toro’s signature love for the monstrous and the divine, the perverse and the absurd is inscribed in each frame of 'Nightmare Alley.'
Full StoryThat Final Round Up: Clint Eastwood, William McCoy, and ‘Bronco Billy’
The critically ignored Bronco Billy isn't only a showcase for Clint Eastwood's talents but an illustrative text for understanding his legacy.
Full StoryMusic to Ignore: Some Favorite Ambient Records from 2021
Listed here are some brilliant ambient releases from 2021, a sampling of what the genre sounds like at its peak.
Full StoryThe Treasure of the Oneness: Stephen Stills & Manassas
Often glossed over as a minor project in Stills' long career, his two albums with Manassas demonstrate how he thrives in ensemble settings.
Full Story‘Pig’ (2021): Revenge Thriller Tartare with a Nicolas Cage Consommé
The Portland-set drama showcases exactly why Nicolas Cage remains one of America's most unpredictable screen actors
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